Highly influential global scholars and artists took seriously the task of “Rethinking Sacred Arts” at a weekend symposium entitled the same and held on our seminary campus September 16–18, 2016. Participants drew from their respective disciplines and expertise in exploring both historic categories and new ways of thinking about “sacrality” and “art.”
The symposium, which included a public Panel Discussion on Saturday evening attended by an audience of 75 people, was the first in a series of events planned between Fall 2016 and Spring 2018 by the Seminary, all of which are a part of its Sacred Arts Initiative (SAI) funded by a grant from the Henry Luce Foundation. Peter C. Bouteneff, professor of Systematic Theology at the Seminary and director of the SAI, coordinated the symposium, along with Dn. Evan Freeman, seminary alumnus and Ph.D. candidate in the Department of the History of Art at Yale University, Richard Schneider, professor of Iconology and Hermeneutics at the Seminary, and Megan Carlisle Rakowski, a trained archivist and seminary alumna.
“In thinking freshly about what it means to call something ‘sacred,’” noted Dr. Bouteneff, “our symposium participants reflected on the dialogical relationship between God and the human person. It is in the human response to God that we create and partake in objects, spaces, words, and sounds that bring us to the encounter with and praise of God.
“Our symposiasts also spoke appreciatively of the unique contribution that the Orthodox world can offer in reflecting theologically on the material world, on human creativity, and on the coming together of the sacred arts in the context of the Liturgy,” he noted. “Their participation in our chapel services made a great impression on them in that regard.”
Among the prestigious participants, three were within the Orthodox Christian tradition: sacred music composer Fr. Ivan Moody, chairman of the International Society for Orthodox Church Music and currently a researcher at CESEM-Universidade Nova de Lisboa; Vasileios Marinis, associate professor of Christian Art and Architecture at the Yale Institute of Sacred Music and Divinity School; and George Kordis, iconographer and former professor in Iconography (Theory and Practice) at the University of Athens.
Other participants represented a wide spectrum of confessional beliefs and disciplines and included: Gordon Graham, Henry Luce III Professor of Philosophy and the Arts, Princeton Theological Seminary; Helen C. Evans, Mary and Michael Jaharis Curator for Byzantine Art, The Metropolitan Museum of Art; Annemarie Weyl Carr, University Distinguished Professor of Art History, Southern Methodist University (Emerita); Peter Jeffery, Michael P. Grace Chair in Medieval Studies and Professor of Musicology and Ethnomusicology, Notre Dame University; Margot Fassler, Keough-Hesburgh Professor of Music and Liturgy, University of Notre Dame; Judith Wolfe, senior lecturer in Theology and the Arts, University of St. Andrews, Scotland; and Mary Carruthers, professor of English, New York University (Emerita) and Quondam Fellow of All Souls College, Oxford.
The next SAI event will be an international conference entitled, “Sounding the Sacred,” May 1–4, 2017, which will continue the work of the Arvo Pärt Project at St. Vladimir’s Seminary.
Listen to the public Panel Discussion here.
See a photo gallery of the symposium, by Mary Honoré, here.
